The battle of the press — Story, Setting & Ideas
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CHAPTER I. INTRODUCTORY
"Yet shall remembrance from oblivion's veil, Relieve your scene and sigh with grief sincere, And soft compassion at your tragic tale, In silent tribute pay her kindred tear."
We who rejoice in a Free Press to-day can hardly realise the condition of the Press in Europe at the opening of the nineteenth century. In England, eighty years ago, he who dared to express opinions in opposition to the Established Church, or in any way offensive to the government of the day, rendered himself liable to heavy fines and severe imprisonment. The following extract will show better, perhaps, than anything else what a deplorable state the Press was in when Richard Carlile entered upon his great fight, and the obstacles he had to encounter:--
"It is difficult to imagine a more degraded and dangerous position than that in which every political writer was placed in the year 1817. In the first place, he was subject by a Secretary of State's warrant to be imprisoned upon suspicion under the suspension of the Habeas Corpus Act. Secondly he was open to an _ex-officio_ information under which he would be compelled to find bail or be imprisoned. The power of _ex-officio_ information had been extended so as to compel bail by an Act of 1808; but from 1808 to 1811, during which three years forty such informations were laid, only one person was held to bail."*
* Larned's "Encyclopaedia and Topical History".
This was the time and this the state of affairs which greeted Carlile when he first entered into public life. He did not then see a man who had the courage to stand up boldly against such formidable odds. He, therefore, resolved to raise the standard of an absolutely Free Press, and be himself the bearer of the colors. This he knew involved possibilities of imprisonment, of exile, losses and suffering. He believed that his example would rally the weak and scattered forces of the writers of the day, and rouse the people to a sense of their degradation and dangerous condition, and to a recognition of the oppressive character of the rulers then in power.
In gathering materials for the life of Richard Carlile, I have drawn freely from his own publications, and also from a mass of correspondence extending over many years of his life. These letters were in most cases strictly private, yet every one of them would bear publication as far as Carlile is concerned. He, however, was the recipient of many confidences on the part of his friends--their sorrows were always his by sympathy. The claims of friendship, long since past, still hold good, though he would profit and not lose by the publication of the whole correspondence.
Chief amongst his publications were the fourteen volumes of the _Republican_, a weekly paper of thirty-two pages, ten or more volumes of which were edited in Dorchester Gaol. The very name of Republican in those days was a challenge to combat. This publication was the direct outcome of the Manchester massacre. The name had once before been adopted, but was withdrawn by Mr. Sherwin, the proprietor, as too dangerous.
After the rash and brutal conduct of the Government at Peter's Fields--or "Peterloo", as it came to be called--Carlile took up the paper, restored the name _Republican_, and, raising the war-cry of "a Free Press", kept it up through five of his six years of imprisonment in Dorchester Gaol and for one year after.
The horrors of the French Revolution, and the declaration of independence of the Colonial States of America, were yet too fresh in memory for the authorities of the time to see without alarm what seemed to be the flag of Republicanism flaunted in their very faces, and they sought to put it down at all hazards. The story of the battle between the authorities and Carlile will be found in the story of his life. It lasted for many years, but Carlile lived to come off a victor. The Government finally declared themselves defeated by him in his mode of moral warfare in the struggle for the freedom of the Press, pronouncing him invincible in the course he had taken.
It was said of the _Republican_ that the only section of the British Press which could be said to be free at that time, was that which was issued from Dorchester Prison!
Before his six years of imprisonment had expired, Carlile was informed that it was Lord Castlereagh, the then Prime Minister, who was so determined to crush him, and also that it was his publication of the horrors of the Manchester massacre and his open letters to the King and Lord Sidmouth that gave the offence--Castlereagh himself having given the order for the massacre, and being solely responsible for it.
Theophila Carlile Campbell, writing as Richard Carlile's daughter, frames her father's life as a deliberate campaign: 'to establish for his countrymen a really Free Press, and the right of free oral discussion.' The preface sets a combative tone, describing the 'malignity and religious fury' of the authorities and the public vilification that gave Carlile 'the horns, hoofs, and tail of Satan himself.' This editorial note examines how Campbell's diction, narrative structure, and use of private correspondence shape the portrait of a man whose personal and political battles were inseparable.
A Daughter's Polemical Voice
Campbell does not pretend neutrality. Her preface announces a 'desirable duty' to present a 'faithful account' of Carlile's sacrifices, and the language throughout is that of a partisan advocate. She describes the authorities' actions as 'assailed by the reigning powers with all the malignity and religious fury that characterised the days of the Inquisition.' Such phrasing aligns Carlile with martyred dissenters and frames the state as tyrannical. The repeated use of 'self-appointed task' and 'enormous sacrifices' elevates Carlile's agency while emphasizing the cost. This is not a detached biography but a vindication, written by someone who inherited both the cause and the personal losses it entailed.
The Intimate Evidence of Letters
Campbell incorporates letters from Carlile's second wife, Elizabeth Sharples (known as Isis), to reveal the emotional texture of their relationship. In one letter, Isis writes: 'My attachment becomes stronger every day. The more I see and know of you the more I admire, love, and esteem you.' The letters blend romantic devotion with political solidarity: 'Let us strengthen each other so as to be able to contend with existing evils, but let us never deviate one moment from our principles.' By including these private documents, Campbell shows that Carlile's domestic life was as much a site of ideological commitment as his public activism. The letters also serve as evidence of the personal costs—separation, anxiety, and the constant threat of imprisonment—that shaped the family's experience.
Structure as Argument: The Two-Part Narrative
The book is divided into two parts: the first traces Carlile's life chronologically from birth to liberation; the second focuses on his relationship with Isis and his later years. This structure implicitly argues that Carlile's story cannot be told without his partnership with Sharples. Part II opens with 'The Story of Isis' and includes chapters of letters and memories, giving her a voice and a role beyond that of a footnote. The appendices—trial records, a letter to Lord Sidmouth, a dedication, and a list of imprisonments—function as documentary proof, reinforcing the book's claim to factual authority. Campbell's arrangement thus mirrors her dual aim: to narrate a life and to provide the evidentiary basis for its significance.
Recurring Motifs: Imprisonment and Persecution
Imprisonment is not merely a plot point but a structuring motif. The chapter titles themselves—'Taken to Prison,' 'In Prison Again!', 'List of Carlile's Imprisonments'—emphasize the cyclical nature of persecution. Campbell describes a prison as witnessing 'such an exhibition of awakening love and almost perfect happiness,' transforming a site of punishment into a space of intellectual and emotional awakening. The repeated references to 'the Inquisition,' 'Satan,' and 'religious fury' create a lexicon of persecution that frames every legal action as an attack on liberty itself. This rhetorical strategy turns Carlile's multiple incarcerations into a unified narrative of martyrdom, where each imprisonment deepens his moral authority.
Campbell's biography is best read as a primary document of nineteenth-century radical memory, not a neutral history. Readers should attend to how the author's position as daughter shapes both the selection of evidence and the interpretive frame. The letters and trial records offer direct access to Carlile's world, but the polemical structure reminds us that this is a story told by a committed participant in the battle she describes.
Reading about Richard Carlile’s quiet endurance in his daughter’s words, I kept thinking how much disappears when we only get the bold headlines. That same hush sits inside The chronicles of Enguerrand de Monstrelet, Vol. 12 [of 13] — A Reader’s Guide, where the smaller, human moments behind old events feel closer than the dates ever do. It stayed with me like a half-remembered letter.
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